Master Signature Artists on display May 28 – June 27, to purchase call 941-746-2862
2021-2022
Welcome to Our 84th Season!
Herrig Center for the Arts is Manatee County's premier visual arts center featuring the artwork of many talented local, state and national artists. Exhibitions change monthly in the three galleries and the public is always welcome to the opening receptions, once COVID concerns are resolved, to preview the artwork and meet the artists. Exhibits are free and open to the public excepting one national show - there is a nominal charge to cover shipping and insurance. Our hours are MFS 9-5, TWTh 9-6. Closed Sunday.
Art Opening Receptions
During COVID, our receptions are virtual with only the winning artists in attendance. We'll let you know when we can go live again! We miss you!
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Master Signature Artists on display May 28 – June 27, to purchase call 941-746-2862
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Evolution means the gradual development of something, especially from a simple to a more complex form. Artists are asked to share their own interpretation of the concept of evolution. From one’s own artistic journey, to the very environment we inhabit, or to where we go from here. Bring us your best work and help us celebrate!
Juror Statement:
Judge’s opinions: I say these are my opinions because that is all that they are. I might have a little more art education than some people and I’ve created art throughout my long life and been lucky enough to win some awards (and now the BIG HOWEVER) however, that does not make my opinion any better than anyone else’s – it’s still just my opinion and everyone has the right to disagree with me. In all of the art shows that I’ve attended I have never agreed with all of the decisions that the judges have made. So, take solace if you didn’t win an award because every artist has gone through that experience and have fun making your own decisions on who should have won what award and who shouldn’t be in the show in the first place.
The quality and diversity of the show is outstanding. I was pleased to see fabric art well represented and the other two- and three-dimensional pieces are excellent. Be proud of your work and continue to be better than you were yesterday. The person you want to compete with is yourself – good luck. This is a great show put on by the best people at the best art center in Florida. And it’s only going to get BETTER.
Thank you, Gary Morgan

First Place, Daphne Rising, Bellamy Sorba, 1111 Plastic Grocery Bags
If you just read what was written about the second-place award winner, you must appreciate the first-place piece of exceptional work that was created by Bellamy. Think about the element of nature that she created and what she created it from. That alone is a powerful statement that should not be overlooked. A tree created from one of the most destructive elements to nature that man has ever created – plastic in the form of discarded grocery bags that pollute land, water and animals of all sorts including the human animal. Then to take that element and weave it into a fabric for creating an iconic symbol of nature – a tree, is inspired. Then the artist made it attractive with the finishing touches at the apex of the tree. That is excellent. Please keep up this work.
It is so good I have to encourage the artist to find more ways of creating three-dimensional work – perhaps without a supporting element inside of the piece. Possibly create the human form. On this piece the artist might consider using a finial of a hand made bird to create an apex incorporating nature. Please continue to be inspired and work.

Second Place, Hint of Spring, Bill Perry, Watercolor
You will have to excuse me concerning this man’s work. If a person appreciates watercolor talent they have to appreciate Bill’s body of work. I don’t have the privilege of knowing Bill except by his work. But I know that he only creates work that excels. He has two paintings in this show that serve as examples of his broad talents. One is a soft rendition of animals where many artists would have used hard edges. This snow scene is completely the opposite. Almost anyone would use softness to create the cold feeling of snow, but this artist used hard edges and makes it work exceptionally. I could offer all kinds of rules that Bill broke here but rules are made for critics. The beautiful exceptions to those rules are created by artists like Bill Perry.

Third Place, Sun Kissed, Reen Troy, Mixed Media
The explosion of color in the top half of this work plays off the darker element in the bottom half like opening your eyes in the bright sun after being in a dark room for hours. It can be interpreted as a strictly abstract design and be beautiful or imagined as a natural element of light overwhelming darkness in nature. The viewer is allowed to answer their own questions about the painting, and it will mean different things to different viewers. The white was used sparingly but beautifully to draw the viewer’s eye in and keep it in the painting. This is an excellent and yet relatively simple composition. Wonderful brush work. Well done.

Equal Merit, Nashiji Vase, Joe Amaral, Urishi Lacquer, Wood, and Galuchat
This piece immediately fascinates with its beautiful finish and questions that about its construction and weight. Its surface is thought provoking. It is a piece that would be fantastic in any collection. Seeing it in the sun or with lights reflecting from it would be enjoyable for any viewer. The artist might consider having the material on the inside rise above the sphere created by the “bowl” shape just to give it another dimensional element.

Best in 3D, Spiritual Growth: The Great Awakening, Dale Hellums, Mixed Media Sculpture
This is an ornate combination that can keep the viewer interested. It has many design elements that fit and yet confront each other as the title suggests. It shows an appreciation for multiple talents and craftsmanship. It might be better to not accompany the work with a description of the piece and its meaning. Let the viewer write their own story – it might be totally different and better for them.

Honorable Mention, Tin Woodsman, Michael Knapp, Acrylic This painting pushes the future into your face with a crooked smile. It is challenging to ignore and confronts the viewer head-on. It’s bold use of color and geometric shapes yells at the viewer and won’t let go. Everything about the painting is consistent in style, color, line and attitude. It’s style will likely have a small but dedicated following due to its boldness – that’s good for this work.

Honorable Mention, Thoughts, Debi Webb, Fabric
The front of this fabric art is intriguing with the face and the geometric shapes. It is the kind of art that you could study and never find all of the answers. Additionally, the artist’s attention to detail is exceptional. The back of the piece is as precise and beautiful as the front. It is truly a piece of art created by an artist that is taking a traditional craft into the world of art.

Honorable Mention, Symphony, Holly Snyder-Samson, Charcoal
Excellent use of subtle shading. I liked the nod to today’s life with the inclusion of earphones. There isn’t an overuse of blending. The marks that the charcoal made were left to stand on their own rather than blended into smears on the paper. I’d like to see a little more life in the eyes. They are somewhat vacant.

Honorable Mention, Wedding Night, Cheryl Moody, Oil
This was executed in a very painterly manner where the strokes are the artist’s signature made in her distinctive style. The strokes are strong and made with self-assurance rather than worried into a weak likeness of a photograph. The artist might consider some subtlety in the distant landscape to give the viewer the feeling of distance and possibly use complementary colors to create darker shades where needed.
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It is both an honor and a heartfelt responsibility to serve as Awards Juror for this exhibition. I extend my sincere gratitude to all the artists who submitted their artwork. It takes courage and passion to share your creative vision with others.
In determining the award recipients, I carefully evaluated each piece against benchmarks of technical proficiency, compositional design, and the power of individual expression – qualities that transcend subject or style.
The Florida Suncoast Watercolor Society Exhibition is a celebration of artistic diversity, showcasing a remarkable array of styles, ability and voices. From realistic to abstract and everything in between, the range of artistic expression is both inspiring and expansive.
Congratulations to all the award winners for their ability to communicate compelling narratives and distinctive personal styles. You made me want to look further into your process of creation.
Finally, my heartfelt thanks to the FSWS Board, Committee Chairs, and volunteers for their dedication and hard work. Your commitment makes this celebration of art possible.
-Judy Salzman, Juror
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We love our artists! Here you will find the most common questions we receive about entering a show at Herrig Center for the Arts.
Our website can only accept image sizes of 1 MB or less. This is when you will have to reduce the size of the image, also reducing the file size. Because the use of JPEGs is so common across the internet, there are many tools available where no photo editing experience is necessary. It is suggested that artists try a few options and preview the resized image to ensure it is still viewable prior to submitting. Poorly resized images may be excluded by a juror as they have no way to truly judge the image. Below is a list of tools and methods you can use to reduce the size of your JPEG image:
Windows includes Microsoft Paint as part of its standard software and is one of the most popular image editing programs. It offers basic editing and graphic tools, along with the ability to open, save, and convert images into different formats. It also allows you to resize JPEGs. Follow the steps below to learn how to resize your image in Microsoft Paint:
If you have a newer version of Windows on your computer, you can resize your image without Microsoft Paint. This method allows you to resize the image directly from the file itself. Follow the steps below to reduce your image using Windows:
Any Mac computer operating with OS X or higher includes Preview. This is an image viewer that can you can use to resize your JPEG. Follow the steps below to reduce your image in Preview:
There’s no built-in function to resize an image on your iPhone. There are many apps you can download to resize images, such as Image Size.
The best way to resize an image on your Android phone, like the iPhone, is to download an app. The Photo & Picture Resizer app is one option. Follow the steps below to change the size of your image using Photo & Picture Resizer:
You can also use photo websites to resize images, such as Shutterstock. The Shutterstock Image Resizer is free to use and is accessible through any web browser. Follow the steps below to reduce your image using Shutterstock:
Another common way to resize a photo is through Photoshop. Though this is a very complex software that offers a wide range of graphic and image manipulation tools, you can also use it for simple tasks. To reduce the size of a JPEG using Photoshop, follow the steps below:
Type of Error Message: “Missing CSRF token code invalid”
Error Message Received when trying to upload a submission. If you receive this error message while trying to submit your work, the first action to take is to clear your computer’s cache and browsing history, then resubmit.
To clear your cache on an iphone or ipad:
Go to Settings > Apps > Safari.
Tap Clear History and Website Data.
Clearing your history, cookies, and browsing data from Safari won’t change your AutoFill information. When there’s no history or website data to clear, the button to clear it turns gray. The button might also be gray if you have web content restrictions set up under Content & Privacy Restrictions in Screen Time.
To clear your cache on a pc/android phone:
Press Ctrl/Shift/Delete for the shortcut to your web browser settings. Find the “Clear browsing data” option, select the desired time range, check the “Cached images and files” box, and click “Clear data” to delete the cached information; on an Android phone, you can also clear individual app caches by going to your phone settings, then “Storage” and selecting the app you want to clear the cache for.
If these remedies do not work, please call the ArtCenter at 941-746-2862 and ask to speak to Angie.
Type of Error Message: “Paypal, something is wrong with your purchase”
Error Message Received when trying to pay the entry fees. If the form allows you to submit, but does not take you to the Paypal portal to pay the entry fees, please call us at 941-746-2862. Most likely your entry was received. We will confirm receipt of your data and take your payment over the phone.
A: No, artwork is independently juried for inclusion in any themed open juried show. As long as it is quality work (in the eyes of the juror), your work will not be rejected. The only instance where theme comes into factor is if two pieces are “tied” in the juror’s eye for an award, the piece that best fits the theme would be selected to receive an award.
A: No, you do not HAVE to submit your work online. This is a convenience we offer for artists who may live outside the immediate area so they only have to make one trip to bring in their work. We will ALWAYS allow artists to submit their work in person on Receiving Day.

For any questions not answered here, please call the ArtCenter at 941-746-2862. We look forward to seeing your work!
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September 2 – October 10, 2025 – 1 Exhibition
All Galleries
Herrig Center for the Arts’s annual season opening exhibition, features higher award monies for winners.
Opening Reception: September 4, 5 – 7 pm

October 14 – November 14, 2025 – 2 Exhibitions
Home is more than just a structure, its meaning is more precious than just bricks and mortar, it’s where one feels safe, comforted, and loved. Home can also be found in a place or even a person. Artists are asked to share their vision of the feeling of being home at last.
Juror Committee for Awards: Herrig Center Faculty

Herrig Center is proud to highlight the works of our very talented faculty. All mediums are represented, including silver-smithing, pottery, watercolor, acrylics, oil, sculpture, pastels, scratchboard, paper mache’, mixed media and more.

November 18 – December 26, 2025 – 2 Exhibitions
Herrig Center for the ARTS Annual Member Exhibition
An all media open juried exhibit featuring the work of our members. Our members are the strength of what makes the Herrig Center for the Arts, without which we would not exist. With that strength, comes a powerhouse of talent as each year the caliber of work continues to surpass our expectations.
Juror: Judy Saltzman
Artist, Judy Saltzman, leaves water marks with watercolor media in an attempt to communicate through her artwork. She has a deep affinity for watercolor both for its ability and its unpredictability. Style and technique are two important components to an artist. Award-winning artist Judy Saltzman creates vibrant and expressive watercolor paintings. Judy explores the melding of realism and impressionistic style to create visual intricacy while adding layers of color for harmony.
Judy is a Signature Member of the National Watercolor Society (NWS), American Watercolor Society (AWS), Transparent Watercolor Society of America (TWSA), Florida Watercolor Society (FWS) and the American Society of Marine Artist (ASMA). She has exhibited in all of these societies and numerous other national exhibitions. Featured Artist in the International Magazine The Art of Watercolour, the National Watercolor Artist Magazine, The Artist’s Magazine and North Light Books “Splash 19” and “Splash 21”. Judy’s painting have been featured in numerous Galleries around the USA and England, Scotland, Spain and Corporate Offices.
Judy’s works of art are passionate and her style innovative. Eschewing some of the classic looks of traditional watercolor, Judy pushes the medium beyond the borders. An artist’s style can be as unique as her signature which is true of Saltzman’s paintings.

Emergence: In Solitude & Passage explores the evolution that arises from quiet contemplation and movement through life’s transitions. Drawing from stories of my motherland Ukraine, I create sculptures as symbols of resilience and enduring spirit – mythical creatures that carry a people’s dreams of renewal and transformation.
These beings emerge from clay in moments of deep stillness, existing in perpetual passage between chaos and creation. Clouds flow through my forms while sculpted hands reach across voids, seeking connection. Birds manifest throughout ceramic landscapes, and all-seeing eyes watch with protective wisdom. I deliberately use holes and negative spaces as passages for light, creating interplay between solid and void that mirrors existence’s duality. Crawling glazes and stains create ash-like textures speaking to cycles of destruction and revival, while blue faces appear as serene countenances longing for Ukrainian sky.
This work celebrates the transformative power found in quietude and passage. Through my art, I highlight resilience and beauty emerging within turmoil. Each fantastical creature becomes a vessel for human longing – hopes given form, defiant acts of creation rising from destruction. My ceramic guardians stand watch, holding space for healing and bearing witness to unbreakable spirit that refuses to surrender its dreams.

December 30 – January 23, 2026 – 3 Exhibitions
A fan favorite, 12 x 12 returns to the Herrig. There is no general theme to this exhibition, only the requirement is all finished entries are no larger than 12” x 12”.

My work is a celebration of emotion—raw, radiant, and unapologetically alive. Through vivid color and bold brushwork, I explore the intimate connection between nature, women, and animals, weaving them into visual narratives that speak to the soul. Each painting is a dialogue between feeling and form, where the wildness of the natural world meets the quiet strength of feminine energy.
I am drawn to moments that pulse with life: the curve of a wave, the gaze of a cat, the resilience in a woman’s stance. These subjects are not just muses—they are mirrors reflecting the emotional landscapes we all traverse. My palette is instinctive, often fiery or serene, depending on the story I’m telling. Whether it’s a stormy sky or a tranquil jungle, I aim to evoke a visceral response, inviting viewers to feel deeply and connect personally. I paint because I care—about the Earth, its beauty, people and our role in protecting it. Painting is my way of honoring the beauty and complexity of the planet and our existence. It’s not just what we see, it’s what we feel. I celebrate the feminine as strong, nurturing, and emotionally honest, qualities I believe the world needs more of. Through childlike wonder and bold vulnerability, I aim to remind us of what’s worth saving. My art is both a tribute and a call to action: to live with gratitude, to feel deeply, and to care fiercely. My work reflects a deep love for the planet and a sense of responsibility to be a good steward for all we’ve been given.

Featuring the work of Jane Keeling and Susan Covert, Places & Faces is a vast array of landscapes and portraits. Scenes from Florida, from the artists’ travels as well as interesting portraits, many of which are painting from life or in Plein Air.

January 27 – February 27 – 2 Exhibitions
Journey through breathtaking landscapes and get lost inside captivating macros that invite you to pause and appreciate the exquisite complexity of even the smallest wonders. Thru My Eyes offers a distinctive photographic journey, capturing Nicholas’s enduring passion for flowers, nature, travel, and his cherished home of Sarasota.
Combining vibrant photo creations, original music, and an orchestrated light display, Thru My Eyes ignites your senses and inspires a deeper connection to the world we share. Immerse yourself in the interplay of art, technology, and imagination, where each piece invites you to explore new perspectives and spark your own creativity.
Projector and set up provided by Barco and Mainline Marketing. Distribution and AV Integration provided by Midwich and The ProMedia Group.
Nicholas extends his gratitude to his sponsors Barco, Mainline Marketing, Midwich and The ProMedia Group for their generous support and partnership in presenting Thru My Eyes Photography Exhibition at Herrig Center for the Arts. Their commitment to the arts has made this possible and we are honored by their belief in the power of our art.
Opening Reception: January 29, 5:00-7:00

In September 1980, a group of individuals bonded by a common interest in photography, established an organization to help them master and perpetuate this interest, which became known as the Suncoast Camera Club. Its founders were: Dr. Jack H. Sanders, Dr. LeMoyne F. Johnson, and Ms. Dottie Favorite.
The mission of the Suncoast Camera Club (SCC) shall be to promote the knowledge and enjoyment of photography in the membership and community, through meetings, presentations, classes, seminars, contests, exhibits, and field trips. To join and submit: www.suncoastcameraclubbradenton.com
Opening Reception: January 29, 5:00-7:00
Pick Up: February 28, 9:00-12:00 pm
March 3 – March 20, 2026 – 1 Exhibition

Manatee County School District Annual K-12 Exhibition
Herrig Center joins with the School District of Manatee County to showcase the work of K-12 visual arts students. In Manatee County, we’re fortunate to have a Board of Education that has made a continued commitment to teaching the visual arts in its elementary, middle and high schools. By partnering with the Herrig Center, that commitment is furthered by giving these young artists a ‘voice’ – one museum-quality gallery – where their work can be professionally displayed and where the artists can receive positive recognition by a wider audience.
Opening Reception: March 5, 5:00-7:00 pm
March 24 – April 17, 2026 – 2 Exhibitions

National Association of Women Artists, Florida Division, Curated Exhibition
The National Association of Women Artists (NAWA), the first women’s fine art organization in the country, is a vibrant community of professional women artists that strives to support its members and women artists at large through exhibitions, programs and education. The history of NAWA is a testament to the strength and resilience of a group of strong women who would not accept being shut out of the art salons, galleries and art exhibitions open to male artists during the 19th century. In 1889 their founding of the organization that subsequently became the National Association of Women Artists, Inc. proves that, despite adversity and discrimination – which many feel extends to this day – women are an integral and valuable part of the arts community. NAWA members represent all areas of the visual arts including painting, sculpture, photography, print-making, encaustic, video art, installations and mixed media.
The Florida Chapter carries out the mission of the NAWA, Inc., in Florida. The Chapter has an active program of regional exhibitions, seminars, and other educational activities, as well as sponsoring annual scholarships for talented and needy art students. Most of the Chapter’s activities occur during the seasonal period between November and May, with occasional exhibitions outside of this period.
Opening Reception: March 26, 5:00-7:00

The Florida Suncoast Watercolor Society was founded in 1983 with 17 Charter members and 24 Associate members. The original purpose to foster the advancement of and promote excellence in the art of watermedia painting remains their focus today. FSWS has grown to about 200 members spanning from Pasco county to Collier county.
Opening Reception: March 26, 5:00-7:00
April 21 – May 15, 2026 – 2 Exhibitions

The American Watercolor Society began as a group of eleven painters who gathered in New York City in 1866 and began to hold exhibitions of their work. Their annual exhibitions have continued from that day. The annual juried exhibition of the AWS is open to all artists worldwide. The traveling exhibition features 40 paintings from the original 160+ exhibitors each year and travels to three to six locations each year. Admission: $7
Opening Reception: April 23, 5 – 7 pm

Until 2011, I had never painted or had taken any lessons in watercolor. After retiring from 35 years of teaching special education at the middle school level, I started attending local watercolor workshops in 2011 and was encouraged to compete.
Since that time, my work has been juried into Splash 21, 22, and 26-The Best of Watercolor, the 9th, 10th, 11th, 12th, 13th, and the 14th National Biennial Art Shows held in Punta Gorda, Florida, National Watercolor Society International Show, San Diego Watercolor Society International Show, Annual Signature American International Watermedia Exhibition, and has received awards in Southern Watercolor Society Annual Exhibition, Watercolor Society of Houston International Show, Georgia Watercolor Society International Show, Philadelphia Watercolor Society International Works on Paper, Louisiana Watercolor Society International Show, International Watercolor Society, and the American Watercolor Society International Show.
Some of my awards include the Susan Lattner Lloyd Gold Award for best in show in the Florida Watercolor Society 2015 annual show and the Winslow Homer Award in 2025, 2019 American Watercolor Society Best-in-Show Award, 2020 Transparent Watercolor Society of America Dorothy Dreihaus Mellin Watercolor Award, and the International Works on Paper (Philadelphia Watercolor Society) vonDuyke Award for Transparent Watercolor in addition to over 100 awards in local, regional, national and international juried competitions. I have earned signature or master signature status in ten watercolor societies. My work has also been featured several times in ‘Watercolor Artist’ and ‘The Art of Watercolour’ magazines.
May 19, 2026 – June 19, 2026 – 2 Exhibitions

“Just People” is a series of portraits on paper, focused on older individuals whose expressions felt full of life, emotion, or unspoken stories. These portraits invite the viewer to pause and consider the stories held in someone else’s face. Though the people are unknown to me, their expressions feel familiar, vulnerable and real. The work reflects on how a single glance can carry a lifetime – and how even strangers can leave an emotional impression.
Opening Reception: May 21, 2026 5:00-7:00 pm

“You can’t help but be creative, we all are unique beings and have a unique story to tell from different walks of life.” ~ Bebe
Artists are asked to share the story from their walk of life.
Juror: Taylor Robenalt, MFA Taylor Robenalt is an artist and educator, her artistic journey beginning at Southern Methodist University, where she earned her BFA in bronze casting and stone carving. Expanding her expertise, she obtained her MFA in ceramics from the University of Georgia in 2011 with a full-tuition scholarship.
As a dedicated full-time professor at Ringling College of Art and Design, Taylor also maintains an active personal practice. Her artistic pursuits have taken her globally, including residencies at A.I.R. Vallauris in France, SkopArt in Greece, Tokoname in Japan, and Odyssey Clayworks in North Carolina, among others. She has exhibited worldwide and nationally, notably at Glove Wood Gallery, Abmeyer and Wood, River Gallery, Companion Gallery and Vision West.
Recognized with awards such as the NCECA International Residency Award, Halo Fellowship Award, and Ringling Professional Developmental Fund, Taylor has also curated shows at Blue Spiral, Florida CraftArts, and Art Ovation Hotel. In 2024, her journey continues with presentations at the Alabama Clay Conference and The Bascom’s Animal Symposium, alongside curating a captivating show “Animal Attraction”. This summer, Taylor will attend short artist residencies La Rex L’Atelier in the south of France and the Art Ovation Hotel. She is currently working towards a solo show at Museum of Art in Deland, FL.
Optional Online Submission Deadline: May 8, 4 pm
In Person Receiving/Drop off: May 16, 9-12 pm
Opening Reception: May 21, 5:00-7:00 pm
Pick Up: June 20, 9-12 pm
June 23, 2026 – July 17, 2026 – 2 Exhibitions
The word vivid describes something that creates a strong response—a color, a memory, a sensation. It suggests energy, strength, . . . power. The VIVID Fiber juried print exhibition will appear in the spring issue of Fiber Art Now to be released in early April. Curated selections from the print exhibition will be presented at Herrig Center for the ARTS from June 23 through July 17, 2026.
Opening Reception: June 25, 5:00-7:00pm
Pink Sands, Reen Troy
Vibrant fuchsias, sun-kissed yellows, aquamarine seas, and deep, dreamy purples—summer arrives like a painter’s boldest palette. Artists, what colors define this season for you? Is it the fiery coral of a sunset, the lush green of palm leaves, or the soft blush of blooming flowers at dusk?
Share your favorite summer hues and the inspiration behind them. Let’s celebrate the colors that make this season come alive.
Optional Online Submission Deadline: June 5, 4 pm
In Person Receiving/Drop off: June 20, 9-12 pm
Opening Reception: June 25, 5:00-7:00 pm

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International Watercolor Society Florida USA
February 28-March 31, 2023
$5 Admission
Opening Reception March 2, 5:00-7:00
Herrig Center for the Arts invites you to attend the second biennial exhibition of the International Watercolor Society Florida USA. This prestigious exhibit features 25 watercolors from artists in 11 countries. From the colorful abstract work of award-winning German Artist Christine Berlinson Esser to the lively painting of Italy’s Maximo Damico who captures the mood and energy of the city in his plein aire painting, this exhibit is a wonderful guided tour of diverse watercolor from around the world.
The International Watercolor Society (IWS) has chapters in over 110 countries, and gathers together one of the largest and most diverse groups of watercolor artists and art lovers alike. IWS provides a unique platform for the continual development of the art of watercolor. In addition to the exchange of ideas between artists, it advocates and supports the next generation of artists with events and exhibitions This is the second biennial exhibition of the Florida USA Chapter which was formed in 2020 by Herrig Center for the Arts.

IWS Images: From the IWS and ACM Logos, In the Middle of Prague by Maximo Damico, Italy, Flower Game by Christine Berlinson Esser, Germany, Mouve by Boonkwang Noncharoen, Bangkok, Flag Girl In Waiting by Donna Morrison, USA, Antique House by Dilesh Hazare, India.

About the International Watercolor Society
The International Watercolor Society (IWS) is a non-profit organization which was established in January 2012 with the objective of promoting the world’s oldest and most deeply rooted painting technique; the art of watercolor. IWS was founded by Mr. Atanur Dogan. Their goal is to promote peace by the use of art; the common language of all the people of the world. Their activities involve bringing watercolor artists and art-lovers together.
Herrig Center for the Arts has partnered with the International Watercolor Society (IWS) to create a Florida Chapter, one of only five branches in the United States. We are part of their worldwide network of over 100 branches, galleries, and education centers.
M-Sat 9-5pm. Closed Sunday

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