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Exhibitions

2021-2022
Welcome to Our 84th Season!

ArtCenter Manatee is Manatee County's premier visual arts center featuring the artwork of many talented local, state and national artists. Exhibitions change monthly in the three galleries and the public is always welcome to the opening receptions, once COVID concerns are resolved, to preview the artwork and meet the artists. Exhibits are free and open to the public excepting one national show - there is a nominal charge to cover shipping and insurance. Our hours are MFS 9-5, TWTh 9-6. Closed Sunday.

Art Opening Receptions
During COVID, our receptions are virtual with only the winning artists in attendance. We'll let you know when we can go live again! We miss you!

Exhibition Schedule and Requirements

Call To Artists: Dog & Cat Days Of Summer Open Juried Show

 

Dog (& Cat) Days Of Summer Open Juried Show
July 1 – August 12, 2025
All Galleries

This time of year had a special significance in ancient Greek and Roman civilizations, and the term originates from their studies of astrology. Nowadays, the term has taken on new meanings as pet parents associate it with lazy days when dogs are so hot they just want to lay in the shade and sip an ice-cold Puppuccino. Artists are invited to share their favorite fur-baby creations of dogs and cats. Not so much into fur-babies? That’s ok, show us how you handle the summer heat!

Online Submission Dates: April 23 – June 20, 4 pm
Online Notifications: June 24, by 4 pm
In Person Receiving/Drop off: June 28, 9-12 pm
Opening Reception: July 10, 5 – 7 pm
Pick Up: Wednesday, August 13, 9 – 12 pm

Online Exhibit Entry


 

Artist Information


Payment Options


Entry Information, Piece 1


Entry Information, Piece 2


Entry Information, Piece 3


Rules and Requirements


Originality • Material must be original to artist and not derived from any published or copy-righted images. Completed in last 3 yrs, sculpture last 5 yrs • No reproductions (prints, giclees) except digital productions. • Work may be shown only once in an ACM or curated show. • Work may not be removed from LiveArtfully Boutique to be shown in an exhibit. Size • Maximum size for paintings is 7’ x 7’. • Any entry weighing over 50 lbs will be accepted at the discretion of the receiving committee and the artist must be available to assist with placement of the piece the day the show is hung. Framing • You may use glass in framed pieces under 22 x 28 inches. • We require Plexiglas on all framed work over 22 x 28 inches. • Unframed canvas needs to be museum wrapped with painted edges. • All photographs to be framed under glass or Plexiglas or printed on museum-wrapped canvas, or metal or glass. • All framed and gallery-wrapped pieces must be wired, with wire ends wrapped with tape. Wire should be securely attached to the back of the frame with screw eyes, one-third down from frame top • Saw tooth hangers, fishing line or chains will not be accepted. • Name, address and phone number must be written on the back of all art. • Mats, glass and Plexiglas need to be clean & free of scratches. • Any entry not meeting these requirements will not be accepted. Fees • Open Juried Shows are competitions. Paying the entry fee does not guarantee artwork will be accepted. The entry fees are non- refundable. Member: $20 1pc, $30 2pcs, $35 3pcs, $25 Diptych, $35 Triptych Non: $30 1pc, $50 2 pcs, $65 3 pcs, $40 Diptych, $60 Triptych *Diptych and Triptych must be in matching frames. • No work accepted for an exhibit may be substituted or withdrawn during exhibit. • Maximum of three entries per person. Sales • Artwork sold will remain in the galleries until the published pick up date. Artists will be notified of sale the day before pick up. Artist receives 65% of sale price. Pick-up Deadlines • All work must be picked up on the designated pick up date. • Any artist who leaves work at the ArtCenter longer than 7 days after the pickup date will be charged $5 per day per piece. Statement of Responsibility • The ArtCenter will do everything possible to protect the work of the artists. The ArtCenter cannot be responsible for loss or damage. • All work will be hung at the discretion of the Exhibition Committee. ACM reserves the right of final presentation. • The judge will be responsible for choosing art for the exhibit and the award winners. • Artists will be notified (phone or email) if their work is not accepted. Awards • There must be a minimum of five (5) pieces in any award category to receive a cash award.
For security verification, please enter any random two digit number. For example: 24

Evolution, an all media open juried show

Evolution means the gradual development of something, especially from a simple to a more complex form. Artists are asked to share their own interpretation of the concept of evolution. From one’s own artistic journey, to the very environment we inhabit, or to where we go from here. Bring us your best work and help us celebrate!

Juror Statement:

Judge’s opinions: I say these are my opinions because that is all that they are. I might have a little more art education than some people and I’ve created art throughout my long life and been lucky enough to win some awards (and now the BIG HOWEVER) however, that does not make my opinion any better than anyone else’s – it’s still just my opinion and everyone has the right to disagree with me. In all of the art shows that I’ve attended I have never agreed with all of the decisions that the judges have made. So, take solace if you didn’t win an award because every artist has gone through that experience and have fun making your own decisions on who should have won what award and who shouldn’t be in the show in the first place.

The quality and diversity of the show is outstanding. I was pleased to see fabric art well represented and the other two- and three-dimensional pieces are excellent. Be proud of your work and continue to be better than you were yesterday. The person you want to compete with is yourself – good luck. This is a great show put on by the best people at the best art center in Florida. And it’s only going to get BETTER.

Thank you, Gary Morgan

First Place, Daphne Rising, Bellamy Sorba, 1111 Plastic Grocery Bags

If you just read what was written about the second-place award winner, you must appreciate the first-place piece of exceptional work that was created by Bellamy. Think about the element of nature that she created and what she created it from. That alone is a powerful statement that should not be overlooked. A tree created from one of the most destructive elements to nature that man has ever created – plastic in the form of discarded grocery bags that pollute land, water and animals of all sorts including the human animal. Then to take that element and weave it into a fabric for creating an iconic symbol of nature – a tree, is inspired. Then the artist made it attractive with the finishing touches at the apex of the tree. That is excellent. Please keep up this work.
It is so good I have to encourage the artist to find more ways of creating three-dimensional work – perhaps without a supporting element inside of the piece. Possibly create the human form. On this piece the artist might consider using a finial of a hand made bird to create an apex incorporating nature. Please continue to be inspired and work.

Second Place, Hint of Spring, Bill Perry, Watercolor

You will have to excuse me concerning this man’s work. If a person appreciates watercolor talent they have to appreciate Bill’s body of work. I don’t have the privilege of knowing Bill except by his work. But I know that he only creates work that excels. He has two paintings in this show that serve as examples of his broad talents. One is a soft rendition of animals where many artists would have used hard edges. This snow scene is completely the opposite. Almost anyone would use softness to create the cold feeling of snow, but this artist used hard edges and makes it work exceptionally. I could offer all kinds of rules that Bill broke here but rules are made for critics. The beautiful exceptions to those rules are created by artists like Bill Perry.

Third Place, Sun Kissed, Reen Troy, Mixed Media

The explosion of color in the top half of this work plays off the darker element in the bottom half like opening your eyes in the bright sun after being in a dark room for hours. It can be interpreted as a strictly abstract design and be beautiful or imagined as a natural element of light overwhelming darkness in nature. The viewer is allowed to answer their own questions about the painting, and it will mean different things to different viewers. The white was used sparingly but beautifully to draw the viewer’s eye in and keep it in the painting. This is an excellent and yet relatively simple composition. Wonderful brush work. Well done.

Equal Merit, Nashiji Vase, Joe Amaral, Urishi Lacquer, Wood, and Galuchat

This piece immediately fascinates with its beautiful finish and questions that about its construction and weight. Its surface is thought provoking. It is a piece that would be fantastic in any collection. Seeing it in the sun or with lights reflecting from it would be enjoyable for any viewer. The artist might consider having the material on the inside rise above the sphere created by the “bowl” shape just to give it another dimensional element.

Best in 3D, Spiritual Growth: The Great Awakening, Dale Hellums, Mixed Media Sculpture

This is an ornate combination that can keep the viewer interested. It has many design elements that fit and yet confront each other as the title suggests. It shows an appreciation for multiple talents and craftsmanship. It might be better to not accompany the work with a description of the piece and its meaning. Let the viewer write their own story – it might be totally different and better for them.


Honorable Mention, Tin Woodsman, Michael Knapp, Acrylic This painting pushes the future into your face with a crooked smile. It is challenging to ignore and confronts the viewer head-on. It’s bold use of color and geometric shapes yells at the viewer and won’t let go. Everything about the painting is consistent in style, color, line and attitude. It’s style will likely have a small but dedicated following due to its boldness – that’s good for this work.

Honorable Mention, Thoughts, Debi Webb, Fabric

The front of this fabric art is intriguing with the face and the geometric shapes. It is the kind of art that you could study and never find all of the answers. Additionally, the artist’s attention to detail is exceptional. The back of the piece is as precise and beautiful as the front. It is truly a piece of art created by an artist that is taking a traditional craft into the world of art.

Honorable Mention, Symphony, Holly Snyder-Samson, Charcoal

Excellent use of subtle shading. I liked the nod to today’s life with the inclusion of earphones. There isn’t an overuse of blending. The marks that the charcoal made were left to stand on their own rather than blended into smears on the paper. I’d like to see a little more life in the eyes. They are somewhat vacant.

Honorable Mention, Wedding Night, Cheryl Moody, Oil

This was executed in a very painterly manner where the strokes are the artist’s signature made in her distinctive style. The strokes are strong and made with self-assurance rather than worried into a weak likeness of a photograph. The artist might consider some subtlety in the distant landscape to give the viewer the feeling of distance and possibly use complementary colors to create darker shades where needed.

Florida Suncoast Watercolor Society Annual Aqueous Exhibition

It is both an honor and a heartfelt responsibility to serve as Awards Juror for this exhibition. I extend my sincere gratitude to all the artists who submitted their artwork. It takes courage and passion to share your creative vision with others.

In determining the award recipients, I carefully evaluated each piece against benchmarks of technical proficiency, compositional design, and the power of individual expression – qualities that transcend subject or style.

The Florida Suncoast Watercolor Society Exhibition is a celebration of artistic diversity, showcasing a remarkable array of styles, ability and voices. From realistic to abstract and everything in between, the range of artistic expression is both inspiring and expansive.

Congratulations to all the award winners for their ability to communicate compelling narratives and distinctive personal styles. You made me want to look further into your process of creation.

Finally, my heartfelt thanks to the FSWS Board, Committee Chairs, and volunteers for their dedication and hard work. Your commitment makes this celebration of art possible.

-Judy Salzman, Juror

Roots & Reflections Through Memory & Nature, Denise Cormier Mahoney

Reid Hodges Gallery

Curated Exhibition

Denise Cormier Mahoney is a mid-career painter and printmaker whose illustrative and surfaced designed compositions are infused with memories and stories told from the point of view of a child free to explore.

Artist Statement:

As a mid-career painter and printmaker, I have been creating art fulltime since the year 2000. I teach printmaking workshops interspersed with producing my own work.

My narrative mixed media paintings are an intuitive blend of acrylic paint, gold leaf, handmade paper and fabric that give life to my contemporary concepts. Each painting starts with an idea that takes many compositional and decorative turns before I call it complete. The result is an intricate tapestry of visual elements that invites my viewers to explore the many layers of textural detail and form.

In my latest body of work, I explore childhood explorations as a way of reminding us of the essential interdependence between humanity and nature. As each of us does our best to be responsible with our environment, balance and harmony are created.

Incorporating symbolism steeped in healing traditions, each piece carries profound meaning. The tree embodies stability & growth, the crow transformation & positive change, the seagull opportunity & harmony, and the owl wisdom & intuition.

In all my work I seek to evoke reflection on our experiences in nature and contemplation of our individual roles in the safekeeping of our natural resources.

American Watercolor Society 157th International Traveling Exhibition

American Watercolor Society 157th Traveling Exhibition

Seale Gallery
The American Watercolor Society began as a group of eleven painters who gathered in New York City in 1866 and began to hold exhibitions of their work. Their annual exhibitions have continued from that day. The annual juried exhibition of the AWS is open to all artists worldwide. The traveling exhibition features 40 paintings from the original 160+ exhibitors each year and travels to three to six locations each year.

Admission: $5.

"Grandma's Gift Shop", Xiachang Zhang, AWS*, $10,000
"At One With Nature", Bev Jozwiak AWS, SOLD
"Traces", Sally Cooper $1,100
"Iron Horse II", David Belling SOLD
"Through The Arched Gate", Qian Gao, SOLD
"Shapes Within", Pat Moseuk AWS*, SOLD
"Red Lollipops", Ken Call, AWS, $5,000
"Solar-Lunar Motion", Kathleen Conover, AWS, D.F., $2,800
"Too Many Times (Math Problems)", Mary Ann Beckwith, AWS, $900
"Couple In Gray", Phillip Babb, AWS, $3,500
"Breezy", William McKeown, AWS*, NFS
"Grand Marais", Ratindra Das, AWS, D.F., $3,000
"Messenger Of Spring", Dongmei Yin, $2,000
"Namcha Barwa, Tibet, No. 8", Liu Yang, $8,000
"Living Energy, Fox & Raven", Stephen Quiller, AWS, D.F., NFS
"Medieval Lane", Ong Kim Seng, AWS, D.F., NFS
"Contemplation", Anne Hightower-Patterson, AWS, NFS
"Me And Night No. 10", Dingfeng Huang, AWS*, $9,000
"Carol", Irena Roman, AWS, $5,800
"Shapes Ahoy", Andrew Evansen, AWS, $3,900
"St. Mark's Basilica", Robin Erickson, Aws, $5,000
"Piazza Navona", Xiqiang Fei, AWS, $1,900
"Menomorphosis: Mood Swing", Kelly Eddington, NFS
"Morning Creek", Z.L. Feng, AWS, D.F., SOLD
"Winter Mountains", Kathrine Amble, $1,200
"Light Patterns-Rome", Thomas Schaller, AWS, $5,500
"Abandoned Guitar", Zi Guo, AWS, $12,000
"Sudden Shower", Vera Dickerson, AWS, $2,100
"The Black Dog Going Down The Stairs", Chien Chung-Wei, AWS, D.F. NFS
"The Amish Way", Frederick Graff, AWS, D.F., $5,600
"Nocturne-Brooklyn Bridge", Antonio Masi, AWS, D.F., $7,215
"Ode To Joe", Lynn McLain, AWS, D.F., $6,300
"Coal Series 3", William Hook, AWS, NFS
"Fruitful Thinking", Karen Mai AWS, $4,800
"I've Got My Eye On You", Nola NcConnan, $800
"Homage To Artisans", Lana Privitera, AWS, $5,000
"A Glance", Janet Rogers, AWS, $1,200
"New York Central Lightning Stripe", Nancy Stark, AWS, NFS
"Taking Care Of Flowers", Toshiko Ukon, AWS, $1,500
"Prague Impression", Yi Zhang, $1,000

Women Contemporary Artists

 

 

 

 

 

 

 

Kellogg Gallery

Women Contemporary Artists (WCA) is an established organization of women in the visual arts based in Florida’s Sarasota and Manatee counties. Their mission is to provide visibility, support and inspiration to women artists. Founded in 1984, a group of twenty women artists in the region developed a plan to form a group to encourage other women artists in their artistic journeys. This talented group of women artists has continually grown each year and now has more than 150 regional members.

The work submitted for this exhibition was quite pleasing with a broad spectrum of approached in mediums and concepts. Some pieces were created using great facility, and it was quite evident that years of practice had gone into mastering the techniques, while others were more explorative and vibrated with the energy of the artistic adventure. What I found most delightful about this show is the creativity and varied approaches to artmaking. I chose to consider color expression, texture both 3D and 3D, compositional organization, value contrast, creativity and originality, narrative, and technical merit, as my criteria.

I was impressed and inspired by all of the work presented and I truly appreciate the opportunity to act as juror for this exhibition. Thank you.

Juror, Alexander J. Snyder

First Place: Mid Century Modern, Yvonne Posa

The choice of first place proved as difficult as the others, but there was one piece that continued drawing me back: a watercolor painting called “Mid Century Modern”. There are several qualities in this painting that I found compelling. The complimentary color palette of blue and orange is attractive, and activates the composition with the focal point of the blue bedspread in the lower left balanced with the pops of blue in the picture frames on the back wall. The interplay of light and shadow in the room is well done, particularly conveying the texture and folds on the pillows, and the bright cast light on the floor which enlivens the space and acts as a directional line pointing us back up into the composition. Beyond the artistic and technical skills used in this painting, the thing that kept bringing me back to this pieces was the story it is inviting us to consider. Yes it is a warm and inviting space, but who’s room is it? Is this the guest bedroom in someone’s home, ready for a long awaited friend’s visit? Did it belong to someone who is no longer with us? The space inside is simple, cozy and welcoming, while the large window beckons us to venture outside. It was this sense of intrigue compiled with the skill of the painter that caused me to choose this painting to receive first place.

 

Second Place: Timeless, Peg Green

There were a number of great fabric and textile pieces included in this collection, but the bold red portrait titled “Timeless” was selected for second place. This artwork garnered my attention because of the complexity of the patterns, rhythm, color and texture, and the flowing sculptural aspects of this piece.

 

 

 

 

Third Place: Alternate Pathways, Janice Newman

Third place was awarded to “Alternate Pathways”. This painting got my attention because of the color use and the value structure of the piece. I think that both of these qualities work in concert with each other to draw the viewer’s eye through the landscape.

 

ACM Member Exhibition

ACM Member Exhibition

Kellogg & Reid Hodges Galleries

November 26 – December 27, 2024

Opening Reception, December 5, 5:00-7:00

I was highly impressed with the quality of work in this Members show. There were simply not enough awards to truly do it justice. The choices I made were hard, and not one of the artists should feel slighted if an award was not granted to them. Well done to ALL of YOU!

Willow Wright, Curator, Carrollwood Cultural Center.

First Place

What’s Old Is New, Stephen Brewer, Acrylic

Masterfully rendered. This artist has captured most of what I love about how light creates form. That slight gap between highlight and shade…That bit of missing mid-tone creates so much drama – The brushwork, value differential and color choices are just magic!

 

 

 

 

Second Place

Chris, Susanna Spann, Watercolor

This artist demonstrates mastery of the medium in addition to the figure. The dramatic lighting creates an interesting play of texture across the face and tableau. It feels like nothing else exists but the music, at this moment! Well done!

 

 

 

 

 

 

 

Third Place

50’s Florida, Kris Peterson, Watercolor & Pastel

Classica 1950s Florida! Exquisitely rendered – Perfect perspective, excellent water reflections! And yet there is no doubt who the star is in this wonderful work of art! Thank you for sharing with all of us!

 

 

 

 

 

 

 

 

Equal Merit

The Doe’s A Dream, Joseph Smith, Scratchboard

The artist expresses a unique perspective and technique! The piece is disturbing yet provocative and thought provoking. How is it that we are seeing both the outside and inside of the structure of this being. I might have called this “Dissemination.”

 

 

 

 

 

 

Best In 3D

Butterfly, Lunge, Cow, Sue Kerr, Raku

This artist demonstrates a mastery of the medium in both glazes and sculpture. I am cheered by the humorous aspect of the figures and am happily reminded of childhood narratives!  Well Done!

 

 

 

 

 

Honorable Mention

Amsterdam Reflections, Deborah Van Brunt

There is a narrative here that keeps pulling me back to this painting. The composition and silhouette of the central character is compelling, but without the title, is still a mystery.

 

 

 

Honorable Mention

R (4), Myron Hansen

A powerful Abstract. Draws me into the mysteries of the Universe – Dramatic color and lines pull me into something like a wormhole that might take me to places I’ve never been before! Great imagination!

 

 

 

Honorable Mention

Rusty & His 23 Window V Dub Bus, Gary Green, Digital Painting

Impeccably and masterfully rendered -The classic “Hippymobile!” Who could resist! This is a classic in Fine Photographic Illustration style!

 

 

Honorable Mention

Wonky Vase, Debbie Pigman, Clay

The artist’s technical skills are obvious in the exact construction and delicate glazes of this piece. The overall aspect is so well balanced and yet not symmetrical, which adds to its success.

 

The Artists’ Journey Open Juried Show

The Artists’ Journey

Searle & Reid Hodges Galleries

October 29 – November 23, 2024

Every adventure has a story to share.   The artists in this exhibition have shared complex narratives about locations, events, and people.  Many of the artists combined materials in distinct ways in order to encourage viewers to examine their own attachments to specific materials or places.  Some artworks reference an exact moment, while others allude to a state of being in an unexpected place.  There are compositions that tell a story of celebration and others that memorialize those who have passed on.  There are several mysterious and curious narratives that can be found through the placement of objects into surfaces which had a previous purpose and are now part of a new visual experience.  The variety of techniques made jurying the work difficult but I was most impressed with those that pushed their selections of particular objects like feathers, texts, and jewelry into exciting combinations.  Many of the artists processed the materials to suggest symbolic associations in how they constructed focal points and visual pathways.  Visual metaphors have been used throughout the artworks to move colors and textures of objects into formal structures.

Michael Wyshock, Juror

1st Place

Angel In The City, Victoria Kudryavtseva

This piece was selected as first place because of the references to the journey of technology of the human species as well as suggesting hope amongst the threats of industries by the celestial being who is watching over us carefully.   The balance of architecture and light achieved a complex formal structure that allowed the composition to be examined in multiple ways.

2nd Place

Turbulence, Heather Lalanne

This artwork was selected because of how feathers become marks and also create dynamic fluid strikes in the surface. These elements allow the viewer a place to float and drift from one place to another in this intimate surface, instigating the mind to think about moments of place and transitions.

3rd Place

Collage Of Carol’s Creation, Carol Anne Peteani

This artwork was chosen because of how the surface reflects and moves light and how recognizable objects appear first but through their collected mass the familiarity is lost.  The history of where these objects existed before, (such as the watch referencing a time that has passed but is now frozen within these decorative elements) suggests many journeys shared together.

Merit

Comeback, Edward Baldado

This painting deserves recognition because of its scale, energetic colors and textures all contributing to the pose of the figure in a moment of celebration after a lifelong journey of dedication to train, compete and win.

Honorable Mention

Asian Sojurn, Elise Manieri

The mixed media collage was chosen because of how its sections of words, elements of nature, and paint marks merge into new combinations of shapes with other patterns; evolving a poetic shift from reality into a dreamstate where an imaginative journey builds itself.

Honorable Mention

Shelliquary – 2 Relics, Pamela Jones

This sculpture was selected because of how it formats collections of objects into meticulously organized sections within a container; creating a sacred place in which the items can increasingly charge one another to prepare for the journey ahead.

Honorable Mention

More Than Just A Number, Ellen Simon

This fabric artwork has a captivating documentation of sadness but also strength in the unexpected form of a gentle quilt.  The strong symbolism of each stitched object related to the occupations of individuals (such as keys, hangars, and stethoscopes) are juxtaposed against the numbers on each arm to remind us to never forget history no matter how difficult the journey may be.

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At ArtCenter Manatee

Evolution, an all media open juried show, All Galleries April 15-May 1, 2025 Classes begin every week!

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MFS 9-5, TWTh 9-6. Closed Sunday

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